1.0STANhttps://stan.be/en/rich600338<blockquote class="wp-embedded-content" data-secret="M4chHc6f6Y"><a href="https://stan.be/en/productie/vandeneedevandeschrijvervandekoningendiderot/">vandeneedevandeschrijvervandekoningendiderot</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://stan.be/en/productie/vandeneedevandeschrijvervandekoningendiderot/embed/#?secret=M4chHc6f6Y" width="600" height="338" title="“vandeneedevandeschrijvervandekoningendiderot” — STAN" data-secret="M4chHc6f6Y" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://stan.be/wp-includes/js/wp-embed.min.js </script> Three thespians (Damiaan De Schrijver, Matthias de Koning and Peter Van den Eede) from three companies (tg STAN, Maatschappij Discordia and de Koe) defy the laws of the theatre and of their own craft to boldly adapt Diderot’s Paradox of the Actor . In vandeneedevandeschrijvervandekoninganddiderot they examine illusion in the theatre, the actor’s identification with […]