Nora by the Norwegian playwright Henrik Ibsen (Skien, 20.03.1828 Kristiania, 23.05.1906) premiered at the Royal Theatre in Copenhagen, Denmark, on 21 December 1879. The play, written while Ibsen was in Rome and Amalfi, Italy, was conceived at a time of revolution in Europe. Charged with the fever of the 1848 European revolutions, a new modern perspective was emerging in the literary and dramatic world, challenging the romantic tradition.
Nora traces the awakening of Nora Helmer from her previously unexamined life of domestic, wifely comfort. Having been ruled her entire life by either her father or her husband Torvald, Nora finally comes to question the foundation of everything she believed in when her marriage is put to the test.
The play was controversial when first published, as it is sharply critical of the traditional role of man and woman in 19th-century marriage. To many 19th-century Europeans, this was scandalous. Nothing was considered more holy than the covenant of marriage, and to portray it in such a way was completely unacceptable.
Ibsen started thinking about the play around May 1878, but he did not begin its first draft until a year later. He outlines his conception of the play as a modern tragedy in a note written in Rome on 19 October 1878. A woman cannot be herself in modern society, he argues, since it is an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint.
Nora: We must come to a final settlement, Torvald. Eight years long… we have never exchanged one serious word about serious things.
Nora is much more than a mere historical study of 19th-century society. Seen through 21st-century eyes, the play becomes a chilling analysis of relations between men and women today. It asks us whether the position of women has really changed since 1879. It’s an exhilarating tale of moral condescension and societal hypocrisy and a subtle criticism of consumerism and the potential pitfalls awaiting well-to-do households in the Europe of 2013.
In English
text ‘A Doll’s House’ by Henrik Ibsen
by and with Jolente De Keersmaeker, Wine Dierickx, Tiago Rodrigues and Frank Vercruyssen
lighting design Thomas Walgrave
costumes An dHuys
translation surtitles Dutch Martine Bom
technique André Calado and Tim Wouters
technical assistance première Lisbon Magda Bizarro
production tg STAN
coproduction House on Fire, Teatro Maria Matos, Lisbon (PT), BIT Teatergarasjen, Bergen (NO), Maltafestival Poznan (PL), Kaaitheater, Brussels
many thanks to Mundo Perfeito, Alkantara, Björn Schmeltzer and Clive Mitchell
première 6 July 2012, Teatro Maria Matos, Lisbon (PT)
2015
January
Wed 28.01.15 20:00
Théâtre Garonne
Toulouse
Thu 29.01.15 21:00
Théâtre Garonne
Toulouse
Fri 30.01.15 21:00
Théâtre Garonne
Toulouse
Sat 31.01.15 21:00
Théâtre Garonne
Toulouse
2013
February
Wed 20.02.13 20:00
Schouwburg
Leuven
Thu 21.02.13 20:00
Schouwburg
Leuven
Fri 22.02.13 20:00
Toneelhuis
Antwerpen
Sat 23.02.13 20:00
Toneelhuis
Antwerpen
Thu 28.02.13 20:00
Minard
Gent
March
Fri 01.03.13 20:00
Minard
Gent
Sat 02.03.13 20:00
Minard
Gent
may
Fri 24.05.13 20:30
Frascati
Amsterdam
Sat 25.05.13 20:30
Frascati
Amsterdam
june
Fri 07.06.13 20:30
Kaaitheater
Bruxelles
Sat 08.06.13 20:30
Kaaitheater
Bruxelles
Mon 24.06.13 19:00
Malta Festival Poznań
Poznań
Tue 25.06.13 19:00
Malta Festival Poznań
Poznań
augustus
Thu 29.08.13 20:30
Bronks
Bruxelles
october
Fri 11.10.13 21:00
Dimitria Festival
Thessaloniki
Sat 12.10.13 21:00
Dimitria Festival
Thessaloniki
november
Wed 27.11.13 18:00
Owl Spot Theatre
Tokyo
Thu 28.11.13 14:00
Owl Spot Theatre
Tokyo
2012
july
Fri 06.07.12 21:30
Teatro Maria Matos
Lisboa
Sat 07.07.12 21:30
Teatro Maria Matos
Lisboa
Sun 08.07.12 21:30
Teatro Maria Matos
Lisboa
Mon 09.07.12 21:30
Teatro Maria Matos
Lisboa
augustus
Fri 24.08.12 19:00
Black Box Teater
Oslo
Sat 25.08.12 19:00
Black Box Teater
Oslo
Sun 26.08.12 19:00
Black Box Teater
Oslo
Thu 30.08.12 19:00
Logen Teater
Bergen
Fri 31.08.12 19:00
Logen Teater
Bergen
september
Sat 01.09.12 19:00
Logen Teater
Bergen
